In this masterful piece, Santiago Fort Barberà consecrates his exploration of otherness with a moving spatial authority. The work rests on a remarkably horizontal crust, a telluric foundation that anchors the elevation of two linear consciousnesses. Here, the artist unfolds a choreography of opposites: the black line, with its almost volcanic, tactile roughness, and the white line, whose technical precision evokes the purity of reason. The success lies in the intersection of their perimeters, where emptiness ceases to be absence and becomes a vibrant substance that unites both entities. The scale of 42x32x7 cm allows the musical rhythm, intrinsic to the artist's training, to flow with a freedom that transcends the object to inhabit the surrounding space. It is a perfect synthesis of technological humanism, where the fragility of metal and the robustness of the organic converse about the interdependence of being. A work that is not only contemplated, but also questions the viewer about the nature of their own relationships and their place in the cosmos.