In this 21x21x6 cm work, Fort Barberà expands the battlefield of his visual dialectic, achieving a piece of breathtaking "intimate monumentality." The sculpture rests on a fragment of bark that evokes the horizontality of the landscape, from which two vectors of consciousness emerge in an almost sacred equilibrium. The artist uses scale to explore the "geometry of encounter": the black line, with its rough, volcanic texture, intertwines with the white, whose technical precision suggests a rational purity. It is not merely a play of opposites, but an investigation into existential symbiosis; the silhouettes embrace in the void, demonstrating that human identity is constructed in the intersection with the other. The mastery of the line—the fruit of a musical heritage—allows the wire to flow with the naturalness of calligraphy in the air. It is a piece that breathes, that demands silence, and that consecrates technological humanism as a poetic response to the fragmentation of the present. A key work in his series, where organic matter and abstract gesture achieve absolute communion.