In this imposing 24x17x6 cm piece, Santiago Fort Barberà achieves a lyrical expansion where emptiness takes on an almost architectural significance. The work is based on a bark support that anchors the discourse to the earth, allowing the verticality of the wire to defy the gravity of thought. The dichotomy between the rough opacity of black and the technical diaphanousness of white is not an opposition, but a visual score where the silence between the forms is as vital as the line itself. Here, the intertwining of the silhouettes suggests a complex existential interdependence, where "self" and "other" blur in a kinetic embrace. The influence of the artist's musical rhythm is perceived in the fluidity of the curves, which seem to vibrate at a frequency of justice and human dignity. It is not just a sculpture; it is a manifesto on the fragility of encounter in the age of technological humanism. The piece achieves a restrained monumentality that invites the viewer to inhabit the liminal space between matter and idea. It is, without a doubt, one of the most accomplished works in his current series, distilling a profound humanist sensibility.