n this imposing work measuring 27x21x7 cm, Santiago Fort Barberà achieves a compositional maturity where emptiness becomes a territory of existential negotiation. The piece stands on an organic support that exudes a telluric force, serving as a counterpoint to the lightness of two silhouettes that are, in essence, vectors of pure consciousness. The artist's mastery lies in the rhythmic tension of the lines: one black, with a heavy, volcanic texture, and the other white, with an almost ethereal technical precision. The intertwining of both perimeters suggests not only a dialogue, but an indissoluble symbiosis where the "self" and the "other" are configured in a spatial embrace of musical precision. At this scale, the sculpture acquires an architectural quality, transforming the contained air into a matter charged with meaning and humanism. It is a profound investigation into human interconnectedness, where the fragility of metal bears the weight of a philosophical reflection on contemporary identity. A seminal work that enshrines gesture as a universal language of justice and dignity.