n this 28x27x4 cm piece, Fort Barberà achieves an expanded spatiality where emptiness ceases to be absence and becomes narrative volume. The work consecrates the architecture of otherness through a gestural dialogue that unfolds with unprecedented formal freedom in his career. On a telluric substrate of crust, two vectors of consciousness emerge: the black line, with its volcanic roughness, and the white line, of absolute technical precision. Their intersection is not a mere crossing, but a rhythmic symbiosis that translates the artist's musical training into a three-dimensional score. At this scale, the tension between the organic and the constructed acquires an almost monumental dimension, reminding us that human identity is always inhabited in the reflection of the other. It is a masterful investigation into technological humanism, where the lightness of the wire bears the weight of a profound existential truth. A piece that breathes dynamic harmony, definitively consolidating his language of interconnection.